Tag: Best Picture

• Triangle of Sadness (2022)

  

  An attack on the senses, Ruben Östlund’s sharply written Triangle of Sadness doesn’t quite address the themes in a cohesive manner

  Jon Pascuzzi

  February 15, 2023

  Movie Review

  2022 Movies, 95 Academy Awards, Academy Awards, Amanda Walker, Best Picture, Black Comedy, Charlbi Dean, Dolly de Leon, Harris Dickinson, Henrik Dorsin, Iris Berben, Neon, Oliver Ford Davies, Reel Interpretations, Rotten Tomatoes, Ruben Östlund, Satire, Sunnyi Melles, Triangle of Sadness, Vicki Berlin, Woody Harrelson, Zlatko Burić

• Top Ten Films of 2022 (#5 – #1)

  

  Top Ten Films of 2022 numbers 5 to 1

  Jon Pascuzzi

  February 8, 2023

  Movie Review

  2022 Movies, All Quiet on the Western Front, Animation, best of the year, Best Picture, Black Comedy, Comedy, Dean Fleischer Camp, Drama, Edward Berger, Marcel the Shell with Shoes On, Martin McDonagh, Michael Morris, Movie Ranking, New Releases, Reel Interpretations, Rotten Tomatoes, Sarah Polley, Stop Motion, The Banshees of Inisherin, To Leslie, War Films, Women Talking

• Women Talking (2022)

  

  Powerful in its themes and a perfect execution by Sarah Polley, Women Talking is one of the best films of the year with the strongest ensemble

  Jon Pascuzzi

  January 30, 2023

  Movie Review

  2022 Movies, Ben Whishaw, Best Picture, Book Adaptation, Claire Foy, Drama, Frances McDormand, Jessie Buckley, Judith Ivey, Michelle McLeod, Movie Review, New Releases, Reel Interpretations, Rooney Mara, Rotten Tomatoes, Sarah Polley, Sheila McCarthy, Women Talking

• The Hurt Locker (2009)

  

  The Hurt Locker: A masterpiece war film. 

  Jon Pascuzzi

  April 30, 2021

  Uncategorized

  Academy Awards, Anthony Mackie, Best Picture, Brian Geraghty, Evangeline Lilly, Guy Pearce, Jeremy Renner, Kathryn Bigelow, Lionsgate, Oscars, Ralph Fiennes, Reel Interpretations, Rotten Tomatoes, The Hurt Locker, War Films

• No Country for Old Men (2007)

  

  No Country for Old Men: A slow burn that plays out like a symphony

  Jon Pascuzzi

  February 19, 2021

  Uncategorized

  Anton Chigurh, Best Picture, Drama, Javier Bardem, Joel and Ethan Coen, Josh Brolin, Miramax, No Country for Old Men, Thriller, Tommy Lee Jones, Western

• 12 Years a Slave (2013)

  

  Click below to read my review of the 2013 best picture winner 12 Years a Slave directed by Steve McQueen

  Jon Pascuzzi

  November 18, 2020

  Uncategorized

  12 Years a Slave, American History, Benedict Cumberbatch, Best Picture, Book Adaptation, Brad Pitt, Chiwetel Ejiofor, Drama, Historical Drama, Lupita Nyong’o, Michael Fassbender, Paul Dano, Sarah Paulson, Slavery, Steve McQueen, True Story

• Whiplash (2014)

  

  Click below to read my thoughts on the 2014 best picture nominee Whiplash directed by Damien Chazelle

  Jon Pascuzzi

  September 21, 2020

  Uncategorized

  Acting, Best Picture, Drama, Drummer, Inspirational, J.K Simmons, Jazz Orchestra, Masterpiece, Miles Teller, Whiplash

• The King’s Speech (2010)

  

  Click below to read my thoughts on the 2010 historical drama The King’s Speech directed by Tom Hooper

  Jon Pascuzzi

  July 29, 2020

  Uncategorized

  Best Actor, Best Picture, Colin Firth, Geoffrey Rush, Helena Bonham Carter, Historical Drama, King George VI, The King’s Speech